Maybe the shot-in-the-arm this franchise needed was for director Ridley Scott to step away once again (though he remains one of the producers). With all due respect to his legacy, both Prometheus and Alien: Covenant were interesting - especially the former - but strayed too far from what made the original 1979 classic a lean, mean masterpiece. I could be in the minority on this, but I never needed a xenomorph origin story. They were scarier when we knew less about them.
Alien: Romulus, the seventh film in the series (sorry, I’ll never include those AvP poo-poo platters), is directed and co-written by Fede Alvarez, the same guy behind Don’t Breathe and the remake of Evil Dead (which was better than it ever had a right to be). Even his most maligned film, The Girl in the Spider’s Web, was a wild, stylish thrill ride. Alvarez is definitely the right choice to breathe new life into the franchise. More than any entry since Alien, this one feels like a horror movie.
Whether one considers Alien: Romulus a sequel, prequel or spin-off, it fits nicely within the franchise timeline, taking place between the first and second films. Five young people seek to escape the slave-like conditions of a mining colony run by the Weyland-Yutani corporation. For the nine-year journey to another planet, they need the cryo-tubes onboard a abandoned space station orbiting above. However, they discover the hard way the station wasn’t actually abandoned, and restoring the station’s systems unleashes a whole lot of facehuggers. As that weren’t bad enough, it turns there is also a new batch of xenomorphs on-board, the result of the company experiments that didn’t end well. Does it ever?
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| When you sneeze in zero gravity. |
Besides, Romulus introduces a pretty neat droid of its own. Andy (David Jonsson) is a discarded Weyland-Yutani product reprogrammed to be a companion/protector of main protagonist Rain (Cailee Spaeny). Their relationship makes them the movie’s most engaging characters, while the rest are comparatively bland (though Spike Fearn as android-hating Bjorn is fun to despise).
Elsewhere, Romulus follows a similar narrative pattern to the first two films. taking time to establish the setting, scenario and characters before ramping up the tension. Not only are there xenomorphs & facehuggers to worry about, but the aforementioned nefarious android and another relentless countdown before the entire station is destroyed (voiced by MU/TH/UR!). And sure, there are the bloody alien kills and chest bursting scenes we’re all familiar with, but Alavarez manages to thrown-in a few nasty surprises of his own. It’s all deftly directed, with a couple of thrilling sequences as good as anything Ridley Scott or James Cameron came up with.
Did we need another Alien film? Probably not. This one doesn’t introduce new elements or concepts…just a fun, scary spin-off that, despite numerous shout-outs to the rest of the franchise, still tells a good stand-alone story.
EXTRA KIBBLES
RETURN TO HORROR: CRAFTING ALIEN: ROMULUS - This is a pretty good four-part making-of documentary totalling 25 minutes.
FEATURETTES - Inside the Xenomorph Showdown features director/co-writer Fede Alvarez and others discussing zero-gravity elevator sequence; Alien: A Conversation features Alvarez and talking with original Alien director Ridley Scott (Alvarez’ idol worship is endearing).
4 ALTERNATE/EXTENDED SCENES
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