On one hand, Iâm happy that Inside Out 2 was hugely successful, especially after years of films that either underperformed at the box office, or worse yet, were immediately regulated to Disney+. It recalls the glory days when each Pixar movie was practically an event and a must-see in theaters (even if you didnât always have kids in tow).
On the other hand, this is Pixar playing it safe, revisiting a tried-and-true brand name. And I get it. Most of their biggest films of the past decade have been sequels, which I suppose is fine, since God knows they arenât the only studio with franchise aspirations. Not to sound like a crusty old boomer, but I remember the days when Pixar itself was the franchise. The films may have been different, but each had the studioâs unique, indelible stamp.
Still, with the possible exception of Cars 2, Pixarâs has never made a truly bad sequel. Even Toy Story 4 managed to avoid being superfluous and was a lot better than it had a right to be. Inside Out 2 is superior to that one. It might even be the best Pixar sequel since Toy Story 2, even though it sometimes takes a similar conceptual path as Turning Red.
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Emotional baggage. |
Inside Out 2 is not as fresh or inventive as the original, which is to be expected. The world inside Riley's head is still an elaborately rendered wonderland, especially âThe Vault,â where things she once loved are locked up (old kiddie shows, video game characters). But overall, this one doesnât reach the emotional highs and lows as the first film, though there are certainly moments where Rileyâs anxiety is infectious. Still, Inside Out 2 is an enjoyable, entertaining sequel.
EXTRA KIBBLES
FEATURETTES - New Emotions is about the new characterss introduced to reflect being a teenager; Unlocking the Vault goes into the making of the filmâs best sequence.
6 DELETED SCENES - These are largely unfinished animatic sketches.
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