July 5, 2024

TRUE DETECTIVE: NIGHT COUNTRY (SEASON 4): Murder in the Arctic Circle


TRUE DETECTIVE: NIGHT COUNTRY (Blu-ray)
2024 / 379 min (6 episodes)
Review by Mr. Bonnie, the BlizzardđŸ˜ș

Free Kittens doesn’t spend much time reviewing TV programs. Exceptions tend to be when the show in question possesses certain cinematic qualities or prominently features actors or filmmakers typically associated with movies. In this case, that person is the great Jodie Foster, and True Detective: Night Country marks her first role in a TV series since her childhood days.

Night Country is the fourth season of HBO’s anthology series, True Detective, each season featuring a different cast and story. I have not seen the previous ones, so I don’t know if this one is similar in structure, pace or tone. But I certainly haven’t seen a mystery thriller quite like this.


Taking place in the fictional town of Ennis, Alaska (way north of the Arctic Circle), a team of scientists at a research station suddenly disappear. A few days later, most of them are found dead in a twisted, naked pile, with various wounds on their bodies. Police chief Liz Danvers (Foster) is in charge of the investigation, though her immediate supervisor/casual lover, Captain Connelly (Christopher Eccleston), keeps threatening to hand the complex case to the better equipped Anchorage police.


Concurrently, Danvers’ ex-partner, now a state trooper, Evangeline Navarro (Kali Reis) remains obsessed with an old unsolved case, in which a native Alaskan woman was stabbed to death and her tongue cut out. Since that same tongue was just found at the research station, Navarro thinks the cases are connected. The problem is Danvers & Navarro really hate each other, stemming from an incident that resulted in both of them being demoted to the positions they now have.


Liz regrets not splurging for that filing cabinet.
The case is only about half the story. There’s also an escalating conflict between Alaskan natives and a corporate mining company accused of contaminating the water. Danvers’ native teenage step-daughter gets involved, further straining an already volatile relationship. In fact, Danvers has a volatile relationship with damn near everybody. She’s blunt, mean, bossy and indifferent to how her demands affect the marriage of beleaguered young deputy, Peter Prior (Finn Bennett). Meanwhile, Navarro is tasked with looking after her emotionally unstable sister, Julia (Aka Niviăna), who’s prone to complete breakdowns. 

Other interesting characters drift in and out of these episodes, some relevant to the primary story, others who remain part of subplots related to the main characters, both of whom are loaded with emotional baggage. In a way, Night Country unfolds like a season of the Fargo TV series, only much bleaker (though Foster is often a real hoot as Danvers). Speaking of bleak, the entire show takes place during the perpetual night Ennis experiences during winter. That, coupled with the constantly shitty weather, had me repeatedly asking why anyone would choose to live there.


The mystery itself intriguing and extraordinary bizarre. In fact, certain scenes and revelations suggest a narrative turn toward the supernatural, exacerbated by sequences and imagery that would be right at home in a horror film. But the complexities of the case, scenes of teasing ambiguity and mounting tension eventually give-way to an underwhelming finale, with one or two plot details left unresolved. Until then, Night Country is dark, moody and pretty compelling, punctuated by excellent performances from Foster (as usual) and Reis (who’s sort of a revelation).


EXTRA KIBBLES

FEATURETTES - Meet the True Detectives & Inkblots Challenge feature stars Jodie Foster and Kali Reis swayed at a table asking each other questions; Exploring Indigenous Themes discusses native Alaskan culture that’s prevalent in the series; New Chapter features director/co-writer Issa Lopez discussing the fourth season.
RECAPS OF EACH EPISODE

July 3, 2024

IMMACULATE: More Catholic Shenanigans


IMMACULATE (Blu-ray)
2024 / 88 min
Review by Josey, the Sudden Cat🙀

Catholics have had a rough time at the movies lately, being the chosen antagonists of two high profile horror films this year. Not only that, they’re depicted as zealots who are appallingly indifferent to body autonomy regarding female productive rights (an underlying theme in both films, though arguably more prominent in this one).

Historically, it’s amazing how often two films with similar premises get released in the same year. Deep Impact & Armageddon and Volcano & Dante’s Peak are a few notable examples. But not only do Immaculate and The First Omen have similar premises, they share almost the exact same plot and were released only a couple of weeks apart. 


The First Omen had a bigger budget and brand name recognition, but Immaculate came first and has Sydney Sweeney, who’s apparently a big deal right now. Prior to this, I hadn’t seen her in anything else…Anyone but You wasn’t really on my radar (and Madame Web wasn’t on anybody’s). She delivers a knock-out performance as Sister Cecilia, a young nun who joins a convent in Italy, which is run by Father Tedescha (Álvaro Morte).


Cecelia attends the world's most boring concert.
We already know there are evil doings here because the prologue shows another nun maimed and buried alive after trying to escape. So while Tedescha is hunky & charming, we suspect a sinister agenda. The others in authority, Mother Superior and Cardinal Franco, practically have ‘evil’ stamped on their foreheads. But that bit of blatant foreshadowing isn’t really a dealbreaker. 

Having already seen The First Omen, a feeling of deja vu runs strong through the first act, which increases tenfold when Cecilia becomes pregnant, even though  she’s still a virgin. Everyone in the convent declares it a miracle, but several ominous incidents (and a little snooping) reveal a dark agenda. I suppose the biggest plot difference is that, unlike The First Omen, there’s nothing to suggest anything supernatural going on. A few hallucinatory scenes notwithstanding, Immaculate leans more toward psychological horror. For some viewers, that might render this one a little more disturbing…especially the way it ends.


That doesn’t necessary make it better than The Last Omen. I actually enjoyed both films a lot more than I expected to. Though produced independently on a lower budget, Immaculate is similarly atmospheric and presents its story at an effectively deliberate pace, so when the visceral shocks do come - some really brutal - they hit a lot harder. 


EXTRA KIBBLES

AUDIO COMMENTARY - By director Michael Mohan


July 2, 2024

Craptastic CROCODILE


CROCODILE (Blu-ray)
1979 / 92 min
Review by Josey, the Sudden Cat🙀

Of all the Jaws rip-offs that oozed into theaters for a slice of the killer critter pie (and there were a ton of ‘em), 1979’s Crocodile is a strong candidate for the crappiest, kookiest and most comical of them all. Considering how many hailed from Italy alone over the years, that’s really saying something…

…which means, for some viewers, this flick will be irresistible. You know who you are.


A Thai-Korean co-production, Crocodile opens with an ominous voice-over about nature striking back, followed by about five minutes impressively apocalyptic hurricane footage that’s clearly lifted from another movie. However, this disaster actually has nothing to do with the story because the giant title creature is the result of nuclear testing. 


Now when I say “giant,” it actually depends on the scene. Sometimes this ravenous reptile is as large as the awesome cover art depicts, other times he’s the size of a kayak. Either way, he indiscriminately chows down on tourists and villagers alike, including the families of a couple of doctors, who vow to destroy the beast themselves. That’s the nutshell plot, with a final act lifted right out of Jaws...the protagonists charter a boat owned by a hunkier version of Quint, leading to a similarly explosive (yet baffling) climax.


"We're gonna need a bigger budget."
But that isn’t what makes Crocodile comedy gold. As they say, the journey is more important than the destination. Along the way, this journey serves up a smorgasbord of endearing ineptitude. This is the English language version, meaning we’re treated to some truly daffy dubbing. In a scene featuring ducks in a pond, even the ducks are dubbed! And not only can this croc change size at-will, he can change eye color, too, even turning them into hellish red headlights in a night scene. 

Elsewhere, there’s plenty o’ stock footage, histrionic performances, borrowed music, weed-whacker editing, underwater sequences obviously shot in a swimming pool, and the piece de resistance, a ridiculously abrupt climax that leaves the viewer wondering what the hell just happened. I could go on, but poking fun at a movie like this is like shooting fish in a barrel, with the fish already dead. What matters is that the serious tone and sincerity of its filmmakers makes Crocodile more consistently entertaining than the smarmy self-awareness prevalent in today’s nature-run-amok cheapies.


But the fun doesn’t stop at the film itself. This disc features a 30-minute interview with director Won-Se Lee, whose recollections of the film might be a little hazy, but we're certainly convinced he thought he was making a good movie at the time. What makes the interview priceless is, when asked how he felt about his name being replaced by Sompote Sands in the credits of foreign releases, Lee was completely unaware this had happened. Upon hearing this - 45 years later! -  he’s genuinely surprised and vows to “look into this.” Poor bastard.


EXTRA KIBBLES

INTERVIEW WITH WON-SE LEE - Lee is director of the original version, titled Crocodile Fangs.

AUDIO COMMENTARY - By film historian Lee Gambin

5 DELETED/ALTERNATE SCENES

TRAILER