I suppose we should first address the elephant in the room. Devil’s Doorway was one of the earliest westerns depicting bigotry and injustices inflicted on indigenous people, yet its Native-American main protagonist is still played by a middle-aged white guy. For such a thematically empathetic film, I find that a little ironic.
Not that star Robert Taylor does a bad job in the role of Lance Poole, a decorated soldier returning home after the Civil War only to face losing his land due to the Homestead Act (which forbids Native-Americans from owning land). As usual, he delivers an earnest, dedicated performance. But in terms of both race and age, he’s simply the wrong guy for the job.
Still, it’s a good enough film that we can (mostly) overlook such a dubious casting choice. Much of that is due to director Anthony Mann and screenwriter Guy Trosper’s serious & sympathetic handling of the subject matter. Mann has visited themes of Indigenous injustice in other westerns, but never quite like this, painting a damning picture.
A Man Called Horsey. |
While we may not necessarily buy Taylor as a tribal leader, Devil’s Doorway is a unique, little-seen western that serves up action and relevant themes in equal measures. It’s not the most uplifting movie on Earth, but certainly deserves to be rediscovered.
EXTRA KIBBLES
2 CARTOON SHORTS - “The Chump Champ” & “Cue Ball Cat.”
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