You know youâve joined the ranks of the greatest living directors when pretentious contrarians enjoy discussing how overrated you are, especially if most of your filmography really clicks with moviegoers. Thatâs where Christopher Nolan is right now.
Like Quentin Tarantino - equally marginalized by the same trolls - Nolan hasnât really made a bad movie. Even his âworstâ (Tenet) remains an intriguingly baffling puzzle. If nothing else, even his naysayers have to concede his films display monumental amounts of creative and technical ambition.
Oppenheimer is his most ambitious film yet. Whether or not itâs his best is obviously subjective (I'm still partial to Interstellar), but along with Dunkirk, it reflects a gifted storytellerâs refusal to be pigeonholed into any particular genre while still pushing the technical boundaries of the filmmaking process. The ongoing hype surrounding this one - as well as all the (premature?) Oscar predictions - is completely justified.
The film is, of course, a biography of J. Robert Oppenheimer, the âFather of the Atomic Bomb.â As portrayed by Cillian Murphy, heâs a fascinatingly complex characterâŠbrilliant and arrogant, yet flawed and vulnerable. His ambition, success and fame (which he obstinately enjoys) is eventually tempered by his own questionable personal life and the inherent moral dilemmas associated with his work.
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"Robert's the name, kaboom is my game." |
Speaking of which, it probably goes without saying that Oppenheimer is best seen on the big screen, where Nolanâs brand of epic storytelling has always been most effective. But while the filmâs visual and sonic impact is somewhat diminished at home, it remains narratively engaging, never feeling as long or exhausting as the three hour running time might suggest. Much of that is due to Nolanâs smart, complex screenplay (based on the biography, American Prometheus) and a massive all-star cast, all of whom bring their A-game to their characters.
As expected, Oppenheimer has been given an outstanding Blu-ray release. Not only does it look and sound terrific, the bonus features help one appreciate just how much effort went into making the film a unique experience (Naysayers be damned). Thereâs also an additional documentary about J. Robert Oppenheimer himself, and if nothing else, it reveals Nolanâs attention to historical accuracy. Oppenheimer may not be his best film, but itâs another strong argument that he deserves mention among the greatest living directors.
EXTRA KIBBLES
THE STORY OF OUR TIME: THE MAKING OF OPPENHEIMER - A detailed seven chapter (70 minutes total) making-of documentary featuring interviews with Nolan, various crew and most of the cast.
TO END ALL WAR: OPPENHEIMER & THE ATOMIC BOMB - Feature-length documentary - produced by NBC News - about Oppenheimer himself. With dozens of interviews from various historians (as well Nloan), this is nearly as interesting as the film itself.
FEATURETTE - Innovations in Film: 65 mm Black & White Film in Oppenheimer (apparently, this stuff isnât just lying around waiting to be used).
MEET THE PRESS Q&A PANEL: OPPENHEIMER - With Oppenheimer biographer Kai Bird and a few other experts.
TRAILERS & TEASERS
DVD & DIGITAL COPIES
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