THE
POINT (1971)
Featuring
the voices of Ringo Starr, Mike Lookinland, Paul Frees (yay!), June
Foray, Lennie Weinrib, Joan Gerber. Directed by Fred Wolf (75 min)
ON
BLU-RAY FROM MVD VISUAL
Review
by Fluffy the Fearless😸
Isn’t
it weird how just one seemingly insignificant song, sound or image
can unlock the file cabinet where most of your childhood is stored?
The
Point is one of those dusty old files I forgot about, at-least
until I hit play and the
jazzy Macmillan Films intro preceded the title – complete
with the pops & scratches I remembered from old educational films
my elementary school teacher spooled through a rickety projector.
Then there’s director Fred Wolf’s animation, cruder than the
Schoolhouse Rock shorts of the same era, but just as uniquely
recognizable (especially for those of us who recall Mr. Owl’s
Tootsie Pop commercial).
However,
it was Harry Nilsson’s insanely catchy little ditty, “Me and My
Arrow,” that threw the memory file wide open. I suddenly recalled
when and where I first heard the song and saw The Point, which
premiered as an ABC Movie of the Week and therefore has a bit of
historic significance. Christmas season notwithstanding, cartoons
were a rarity during prime time in 1971, to say nothing of a weird,
psychedelic, feature-length musical. Thank God LSD wasn’t part of
a kid's nutritious breakfast back then.
"Hey, Arrow...I think the meds are kickin' in." |
Five
decades on, nostalgia is the primary appeal of this new Blu-ray, a
fitting part of MVD’s Rewind Collection. Despite the
charming story and timely themes, The Point is undoubtedly a
product of its era and unlikely to wow your children (or their children). As
such, the generous amount of supplementary material included is boomer-friendly and arguably more interesting than the film itself, definitely putting the its relevance in context, especially regarding singer-songwriter
(and producer) Harry Nilsson, who created the concept album which
inspired it. In fact, The Point is one of his few film
projects that ever saw the light of day.
Videophiles
should be aware that not all of the film could be completely restored
to its original condition, meaning the ravages of time are occasionally
noticeable. But for those of a certain age who don’t care about
such trifles, The Point is a wonderfully weird trip down
memory lane, an assessment which certainly applies to the bonus
features as well.
EXTRA
KIBBLES
"NILSSON
ON SCREEN” - The best of the bonus features, this hour-long
documentary is a series of interviews with biographer Alyn Shipton
and people who worked with Nilsson. It focuses on Nilsson’s entire
career in film and television, including a lot of unfinished projects
(too bad no footage from them is included).
"THE
KID’S GOT A POINT” - Interview with Mike Lookinland, who
voiced Oblio, but best-known to boomers as Bobby Brady.
"THAT
OLD GUY WROTE THE POINT” - Interview with co-writer Norm
Lenzer, who hated the Rock Man character (and I don’t blame him).
"EVERYBODY’S
GOT A POINT” - Kiefo Nilsson (Harry’s kid) and Bobby
Halvorson discuss adapting and performing The Point for modern
audiences.
"THE
MAKING OF THE POINT” - A four-part featurette.
CLAYMATION
SEQUENCE – This supposedly inspired the film, though I’m
hard-pressed to see how.
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