DARLIN’
(2019)
Starring
Lauryn Canny, Cooper Andrews, Pollyanna McIntosh, Nora-Jane Noone,
Bryan Batt, Lauren Ashley Carter, Eugenie Bondurant. Directed by
Pollyanna McIntosh. (101 min)
ON
BLU-RAY FROM DARK SKY FILMS
Review
by Josey, the Sudden Cat🙀
The
biggest compliment I can give Darlin’ is that I found it
quite enjoyable without ever realizing it’s actually a sequel.
It
is, in fact, the third film in a series that began in 2009 with
Offspring, followed a few years later by The Woman, the
latter directed by Lucky McKee (he of May fame). While Darlin’
didn’t compel me enough to go back and see what I’ve been
missing, the film does an admirable job telling a fairly
self-contained story where prior knowledge isn’t a prerequisite.
Twister just isn't as much fun without the mat. |
This
one is written & directed by Pollyanna McIntosh, who starred in
the first two films as a feral & cannibalistic family’s
mud-covered matriarch. However, her character takes a backseat to
‘adopted’ daughter Darlin’ (Lauryn Canny), now a teenager.
After being hit by an ambulance, she’s cared for by kindly nurse
Tony (Cooper Andrews). She’s later sent to a Catholic parish run by
a Bishop (Bryan Batt), who sees the financial and promotional
benefits in attempting to civilize her. Meanwhile, The Woman
(McIntosh) wants Darlin’ back, slaughtering her way through a
variety of poor rubes along the way.
Catholic cage-match. |
Greedy,
egocentric and ultimately lecherous, The Bishop represents a
none-too-subtle swipe at the questionable practices of the Catholic
church. That probably means Darlin’ won’t show up on the
Pope’s watchlist anytime soon, but it does have one hell of a
despicable villain. While there’s plenty of blood and nastiness –
The Woman’s horrific killing spree, in particular - the film is also about
Darlin’s transformation from a wild child to one displaying
‘proper’ behavior. Since she’s ultimately the film’s most
sympathetic character, we’re definitely concerned over the values
she’s being conditioned to embrace.
Darlin’
throws in a few twists along the way, some of which are
surprising, others which don’t seem all that plausible. More
importantly, it provides just enough exposition of past events for it
to be appreciated on its own terms. The denouement feels too calculated
- leaving the door open for yet-another possible sequel - but still wraps
things up nicely. All-in-all, it’s a tidy little horror film laced
with timely social commentary.
EXTRA
KIBBLES
FEATURETTE
– Includes interviews from the cast & crew, plus
behind-the-scenes footage.
AUDIO
COMMENTARY – By writer-director Pollyanna McIntosh.
DELETED
SCENE
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