ECHO
IN THE CANYON (2018)
Featuring
Jakob Dylan, Tom Petty, Brian Wilson, Ringo Starr, Eric Clapton,
Stephen Stills, Roger McQuinn, Michelle Phillips, David Crosby,
Jackson Browne, Lou Adler, John Sebastian, Beck, Fiona Apple, Norah
Jones, Cat Power. Directed by Andrew Slater. (83 min)
ON
BLU-RAY FROM MPI MEDIA GROUP
Review
by Fluffy the Fearlessđź
The canyon in-question is Laurel Canyon, the echo being the music genre known
as the California Sound, made famous by a variety of
influential and legendary musicians, most of whom apparently lived
within walking distance of each other.
Echo
in the Canyon is part documentary, part concert film, which gives
us the history of the subgenre as told by its purveyors, along with
peers who admired them. With Bob’s son Jakob Dylan sort-of serving
as our guide, we get first-hand stories about the music’s origins,
influence and popularity. Most of the film’s focus is on The Byrds,
Buffalo Springfield, The Mamas & the Papas and, of course, The
Beach Boys. Surprisingly – and somewhat conspicuously - The Doors
aren’t included or even discussed (perhaps they were the “scary
neighbors” of Laurel Canyon).
"Wha...?" |
Though
there’s plenty of vintage footage, the candid interviews are the
best part of the film. These guys are now senior citizens and a
few seem to have indulged in the 1960s with more enthusiasm than
their contemporaries (as some of Dylan’s bemused reactions will
attest). Others come-across as a little sad those days didn’t last
forever (probably because most of these bands were together only a few
years). David Crosby is still pretty full of himself, however, while
Michelle Phillips doesn’t apparently feel any remorse over cheating on
husband John Phillips with bandmate Denny Doherty...maybe because the
incident inspired one of their most enduring songs.
In his spare time, David Crosby moonlights as a Build-a-Bear model. |
Less
interesting is the concert footage featuring several modern artists –
such as Dylan, Beck, Fiona Apple and Norah Jones - paying tribute to
these bands by performing some of their best-known songs. While
there’s nothing particularly wrong with their renditions, they’re
comparatively unremarkable, like the work of a solid cover band. I
think most longtime fans of this music would prefer
performances by the original artists (even if most are
decades past their prime). The closest we come to that are a few
scenes of Dylan jamming in the studio with Brian Wilson and Stephen
Stills.
Still,
Echo in the Canyon paints a vivid picture of a short-lived
movement and its long-lasting impact, both musically and culturally.
Though I never really cared for the California Sound, the story behind it is pretty interesting and I felt an appreciation for the
influence it had on music and artists I do care about.
KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS.
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