APOCALYPSE
NOW FINAL CUT
Starring
Martin Sheen, Marlon Brando, Robert Duvall, Frederic Forrest, Albert
Hall, Sam Bottoms, Laurence Fishburne, Dennis Hopper, Harrison Ford,
G.D. Spradlin, Scott Glenn, Christian Marquaind, Aurore Clement.
Directed by Francis Ford Coppola. (183 min).
ON
4K ULTRA COMBO PACK FROM
Review
by Mr. Paws😺
I
didn’t come up with that review headline. It was the title of a
segment from the news show, 20/20, when they did a feature on
Apocalypse Now just as it was first being released. While I
personally have an ongoing love/hate relationship with the
film, 'wow' certainly applies to this massive 6-disc
release.
Apocalypse
Now Final Cut features yet-another edit of the Francis Ford
Coppola classic, newly remastered in 4K and overseen by the director
himself. While this cut alone makes the set indispensable for any
cinephile, the original theatrical version and 2001’s extended
Apocalypse Now Redux are thrown in for good measure.
"We've searched the entire perimeter, sir, and still can't find your shirt." |
I’ve
always viewed the theatrical version as a flawed masterpiece, a film
loaded with astounding moments and striking imagery, but the whole never
quite equaling the sum of its parts. There was always something about
it that felt incomplete, particularly the final act. Coppola
apparently agreed, since Apocalypse Now Redux restored nearly
an hour of deleted footage. Some of the new stuff was interesting,
even humorous, but the lengthy plantation & Playmate scenes
bloated Willard’s already-lengthy journey down the Nung River
without adding anything substantial to the narrative.
Final
Cut finds the sweet spot between the two. The additional Playmate
segment plopped into Redux is gone, while the
plantation sequence is mercifully shortened, leaving just enough to
expand on the film’s themes and shed more light on Willard’s
character. Elsewhere, various scenes are expanded or streamlined, and
I’m happy to say my favorite addition to Redux –
where Willard and his crew steal one of Kilgore’s
precious surfboards – is still here, providing a rare moment of
levity. While still running three-hours, Final Cut is
faster-paced then Redux and a richer experience than the
original, arguably making it the definitive version.
Disney's latest water show. |
Though
I’m still not all-in on 4K Ultra HD, Apocalypse Now’s
striking aesthetics are undoubtedly conducive to the format. This set
includes 4K, Blu-ray and digital copies of all three cuts.
Technically speaking, the film has never looked or sounded better.
Also included on Blu-ray is Hearts of Darkness, Eleanor Coppola’s
critically-acclaimed documentary on the film’s tumultuous
production. It’s part of two discs’ worth of new and vintage
bonus features (outlined below), the best of which is a recent Q&A
session between Coppola and director Steven Soderbergh, which was
filmed at Apocalypse Now Final Cut’s 2019 4K premiere. In a
word...wow.
For
a classic film that continues to be extensively discussed, debated
and written about, Apocalypse Now Final Cut adds more fuel to
the fire. This author feels the new version is as close to perfect as
the film will ever get (I still have issues with the ending, though
I’ve learned to appreciate it). Opinions vary, of course, which is
part of the fun of having all three cuts collected as evidence. For
that reason, this beautifully-packaged set is a must-own even for those who’ve already
purchased the film several times.
Just...wow.
EXTRA
KIBBLES
4K, BLU-RAY & DIGITAL VERSIONS – Of Apocalypse Now Final Cut,
Apocalypse Now Redux and Apocalypse Now (original
theatrical cut).
HEARTS
OF DARKNESS: A FILMMAKER’S APOCALYPSE – The
acclaimed documentary, with optional commentary by Francis &
Eleanor Coppola.
APOCALYPSE
NOW REDUX AUDIO COMMENTARY – By Francis Ford Coppola
ARCHIVAL
FEATURES (included with previous Blu-ray releases):
"An
Interview with John Milius”; “A Conversation with Martin Sheen
and Francis Ford Coppola”; “Fred Roos: Casting Apocalypse”;
“The Hollow Men”; “The Birth of 5.1 Sound”; “Ghost
Helicopter Flyover” (sound effects demonstration); “A Million
Feet of Film: The Editing of Apocalypse Now”; “The Music
of Apocalypse Now”; “Hear Any Good Movies Lately?”
(sound design); “The Final Mix”; “Apocalypse Then and Now”;
“2001 Cannes Film Festival: Francis Ford Coppola”; “PBR
Streetgang”; “The Color Palette of Apocalypse Now”;
“Destruction of the Kurtz Compound End Credits” (with commentary
by Coppola)
"MERCURY
THEATRE ON THE AIR: HEART OF DARKNESS” -
Radio broadcast from 1938.
"THE
SYNTHESIZER SOUNDTRACK” - An archival article from Keyboard
Magazine by Bob Moog.
STORYBOARDS
PHOTO
ARCHIVE
MARKETING
ARCHIVE – Trailers, radio spots, the original theatrical
program, poster gallery, lobby cards and press kits.
NEW
FEATURES:
TRIBECA
FILM FESTIVAL Q&A – A 45 minute conversion with Coppola and
director Steven Soderbergh. Coppola’s lost some weight.
FEATURETTES
- “Dutch Angle: Chas Gerresten & Apocalypse Now”
(Gerresten was an on-set photographer); “Apocalypse Now:
Remastering in Dolby Vision and Dolby Atmos”; “Sensual Sound
Technology from Meyer Sound”; “Apocalypse Now: A Forty
Year Journey” (home video image comparisons from VHS to 4K...pretty
cool).
JOHN
MILIUS SCRIPT EXCERPT
KITTY CONSENSUS:
MEE-OW! LIKE TAUNTING A MOUSE TO DEATH.
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