FM
(1978)
Starring
Michael Brandon, Eileen Brennan, Alex Karras, Cleavon Little, Martin
Mull, Cassie Yates, Linda Ronstadt, Jimmy Buffett, Tom Petty, Norman
Lloyd. Directed by John A. Alonzo. (104 min).
ON
BLU-RAY FROM ARROW VIDEO
Review
by Mr. Paws😽
Revisiting
FM for the first time since it briefly had the world’s ear
in 1978 was like traveling back in time...in more ways than one. I remember Mom dropping me and a
few friends off at the Southgate Quad for the day. Buying one ticket,
we’d sneak from one movie to the next, something we did a lot back
then (we called it movie hopping). Though we were always impressed with our own stealthiness, I doubt
management really cared as long as we kept the concession counter
busy.
While
we weren’t there to see FM specifically, I walked out
thinking it was cool enough to buy the soundtrack album. I probably
forgot most of the plot and every character’s name shortly after
leaving the theater, but Steely Dan’s title track was certainly
stuck in my head during the entire ride home. Watching it now, it’s
telling that during a pivotal moment in the story – when Q-SKY
station manager Jeff Dugan (Michael Brandon) squares-off against
company executives over a mandated increase in on-air advertising –
the viewer doesn’t hear the actual argument. We see the conflict from another
room while Tom Petty’s “Breakdown” is playing. Most of the film
is driven by the music, sometimes cleverly, other times gratuitously (such as the concert scenes).
Cleavon Little finally gets that "'Scuse me while I whip this out" joke in Blazing Saddles. |
For a film probably created more to sell records than movie tickets
(which it did), FM has arguably aged better than some other
“soundtrack movies” of the era. It’s still definitely a product
of its time, when FM radio was at its cultural peak. But unlike, say,
Roller Boogie or Thank God It’s Friday, there’s
some semblance of authenticity. This probably isn’t an accurate
depiction of the radio business, but I do recall listening to quirky
DJ’s with on-air personalities not unlike those in the film. Though
episodic and (very) leisurely plotted, the performances are fairly
engaging, their antics sometimes amusing. The
only aspect that reeks of artifice – both narratively and
aesthetically – is the ridiculous climax that has hundreds of fans rioting
in the streets in support of the protesting DJs (who’ve barricaded
themselves in the station).
The film's tagline, 'A now story with now music,' is 100% accurate. FM existed in the moment and was pretty-much rendered a period piece the second the '70s ended. As such, it’ll
have zero relevance to the MTV generation. But for those raised on radio - or spent a significant portion of their youth movie hopping - revisiting FM is like climbing into a time machine, as it nicely
captures the look and sounds of a bygone era.
EXTRA
KIBBLES
"NO
STATIC AT ALL” - An enjoyable interview with actor Michael
Brandon, who has a lot of interesting anecdotes (and also claims to
have written Starman).
"RADIO
CHAOS” - Interview with screenwriter Ezra Sacks, who was
somewhat inspired by his experience working at a radio station.
"THE
SPIRIT OF RADIO” - Critic Glenn Kenny discusses the soundtrack.
This guy comes across as a little arrogant and too impressed with him
own opinions. He also gets a few of his facts wrong.
IMAGE
GALLERIES – Stills, promo material and soundtrack
LP/cassette/8-Track covers.
SEPARATE
MUSIC/EFFECTS TRACK
TRAILER
SUPPLEMENTAL
BOOKLET – Includes an essay, “Do You Remember Rock & Roll
Radio,” by Paul Corupe, which just as much about FM radio in the
70s as it is about the film itself.
REVERSIBLE
COVER ART – Two versions of FM’s original artwork.
KITTY CONSENSUS:
NOT BAD. LIKE CAT CHOW.
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