THE
TRIGGER EFFECT
Starring Kyle MacLachlan, Elisabeth Shue,
Dermot Mulroney, Richard T. Jones, Michael Rooker. Directed by David
Koepp. (1996/93 min).
BODY
COUNT
Starring David Caruso, Ving Rhames, Linda Fiorentino,
John Leguizamo, Donnie Wahlberg, Forest Whitaker. Directed by Robert
Patton-Spruill. (1998/85 min).
ON
BLU-RAY FROM MILL CREEK ENTERTAINMENT
Review
by Tiger the Terribleđž
When
movies are re-issued together as double features, they’re usually
of the same genre or a particular actor appears in both. So the
pairing of The Trigger Effect and Body Count was
initially perplexing. One is a quasi-disaster film about a widespread
blackout, the other follows a crew of criminals after an art heist.
But
upon further review, I realized these films actually have a few
things in common:
- Both boast impressive casts. Not necessarily A-listers, but with pretty decent resumes.
- Both were released virtually unnoticed in the 90s. In fact, Body Count never got a theatrical release.
- Despite being over 20 years old, both are only-now being released on Blu-ray.
Regarding
the first point, I suppose the curiosity factor might be relatively
high. But even fans of any of these actors might have a hard time
sitting through either film.
"Damn...no Twinkies." |
The
Trigger Effect’s premise is promising...how a massive, lengthy
blackout causes society to breakdown. However, the story is
distressingly episodic, jumping from one crisis to another before any
of them has a chance to get interesting. The Twilight Zone
explored the concept far better in a fraction of the time. Of the
cast, Michael Rooker comes off best, providing the film’s only
moments of genuine intensity. Too bad he’s regulated to just a few
scenes.
"He didn't wash his hands. So I shot him." |
Despite
boasting a better cast, Body Count is an
irredeemable mess. Haphazardly assembled and erratic in tone, it
fails as both a thriller and a black comedy, though it desperately
wants to be both. Not only that, the narrative is consistently undone
by stupid characters whose actions often defy explanation or logic.
Ving Rhames is good, but David Caruso and John Leguizamo seem to be
competing to see who can give the most irritating performance. It
quickly becomes obvious why this one went straight to video.
Even
at a bargain price, this double feature is a hard sell. There’s a
reason both films remain obscure and even the curiosity factor isn’t
enough to make either of them worth enduring. Everyone involved on
both sides of the camera have done far better work.
EXTRA
KIBBLES
TRAILERS
FOR BOTH FILMS
KITTY CONSENSUS:
MEH...
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