THE
BELIEVERS (1987)
Starring
Martin Sheen, Helen Shaver, Robert Loggia, Harley Cross, Malick
Bowens, Richard Masur, Harris Yulin, Jimmy Smits, Lee Richardson,
Elizabeth Wilson. Directed by John Schlesinger. (114 min).
ON
BLU-RAY FROM OLIVE FILMS
Review
by Josey, the Sudden Cat😼
If
nothing else, The Believers made me mindful of where I step.
In
the very first scene, Cal Jamison’s wife is electrocuted in the
kitchen, having the misfortune of standing barefoot in spilled milk
when their coffee maker suddenly goes on the fritz. Cal (Martin
Sheen) and their young son, Chris (Harley Cross), helplessly scream
as she quivers and cooks to death. Lesson learned, whenever I shuffle
barefoot & blurry-eyed into the kitchen each morning, I still have the foresight to make sure the
floor's good 'n' dry when making my own coffee.
That
disturbing scene is mostly inconsequential to the actual story, but
sets a dark tone for the rest of the film, which has police
psychologist Cal Jamison assisting New York detective Sean McTaggert
(Robert Loggia) investigate a series of ritualistic child murders.
Initially, all fingers point to Lopez (Jimmy Smits), another cop
who’s delirious and claims a demon-worshiping cult is behind it
all. He’s telling the truth, of course, but this cult also consists
of wealthy white folks who commit sacrifices at the behest of its evil-eyed
priest (Malick Bowens) in exchange for affluence and power.
Too many Red Bulls. |
I
seem to recall The Believers being a popular video rental back
in the day. It’s since-been mostly forgotten, probably because
neither the narrative nor the characters are particularly memorable.
But while the film isn’t all that scary either, it does contain
some impressively-unnerving scenes that horror fans loved back then, including a gruesome sequence that reveals what’s lurking
beneath one victim’s festering facial wound. These scenes alone
probably make The Believers worth checking out for
thrill-seekers – maybe even more than once – but the
interim moments in between are far less interesting.
The
Believers is a film where the whole doesn’t equal the sum of
its parts. It’s watchable and the performances are decent
(especially Smits & Loggia), but beyond its more sensational
elements, the film doesn’t resonate too much afterwards. However,
it might be of extra nostalgic interest for those whose weekends once
consisted of weekend trips to their local video store (the nastier
scenes still hold up pretty well). And who knows...perhaps it'll prevent you from being careless in the kitchen.
EXTRA
KIBBLES
TRAILER
KITTY CONSENSUS:
NOT BAD. LIKE CAT CHOW.
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