Starring
Don Hannah, Warren Farina, Cindy Lou Adkins, Page Hannah, Arlene
Hughes-Martinez, Jeff McVey, Robert Pine. Directed by David &
Mark Dodson. (2017/83 min).
AVAILABLE ON DVD & DIGITAL FROM
RANDOM MEDIA
AVAILABLE ON DVD & DIGITAL FROM
RANDOM MEDIA
Review
by Fluffy the Fearless😽
In
1973, NASA's last mission to the moon, Apollo 18, veered off-course
during re-entry. Pilot Bo Cunningham (Tom Hannah) managed to land the
spacecraft in the China desert, saving the crew. However, both of his
crewmates mysteriously died during the 36 hour period they were
stranded.
Following
a rudimentary investigation, Bo was hailed as a hero, at least until
other evidence suggested he might have deliberately changed course. 25
years later, some of the interviewees in this film - including former
NASA technicians, the dead astronauts' widows and an FBI investigator
whose evidence was ignored by Washington - think Bo had a sinister
agenda. A few theories are offered, from collusion with the Russians
to petty jealously. Bo himself is extensively interviewed as well,
and continues to deny any wrongdoing.
Of
course, there never was an Apollo 18 (nor is this a sequel to the 2011 found-footage film). The Landing is a
mockumentary in the vein of those speculative TV specials
that often show up on (what used to be) The History Channel. Like
those paranoid fantasies, a lot of questions are raised but never
truly answered. But aside from a few wonky bits of photoshopping, the
film looks and feels like an authentic investigative documentary.
Bo knows bags. |
The
actors are mostly pretty convincing, their dialogue never coming across as
rehearsed. As the main subject, Tom Hannah looks suitably
uncomfortable while answering probing questions. The only time the
spell is ever broken is when Robert Pine shows up as a senator who
throws shade on suggestions of a crime. Not that he isn't
good, but as the one recognizable member of the cast, we're reminded
we're watching fiction.
Elsewhere,
The Landing assembles an interesting tale through old photos,
interviews and, of course, dramatic re-enactments of the incident. It
all culminates in a conclusion that would be considered ridiculous if
the film were done conventionally. In fact, several characters
adamantly point-out the utter insanity of the theories, providing
convincing evidence of their own that such a plot would almost be
logistically impossible.
Running
only 83 minutes, The Landing, is just long enough to keep our
interest from waning. The documentary format was the right choice to
present its story and never feels like a gimmick. At times, viewers might even find themselves forgetting this is all in fun.
KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS.
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