Starring
Albert Finney, James Coburn, Susan Dey, Leigh Taylor Young, Dorian
Harewood, Tim Rossovich, Terry Kiser, Darryl Hickman, Terri Welles.
Directed by Michael Crichton. (1981/93 min).
AVAILABLE ON BLU-RAY FROM
WARNER ARCHIVE COLLECTION
AVAILABLE ON BLU-RAY FROM
WARNER ARCHIVE COLLECTION
For a guy who spent a good part of his career writing about the terrors of technology, the late Michael Crichton sure as hell benefited from it. His name is still most-associated with Jurassic Park, one of the most technically groundbreaking films of all time. The first film with completely convincing CGI, movies would never be the same afterwards. Ironically, Crichton himself once directed a film about CGI before anybody even knew what it was.
Of
course, with Crichton at the helm, CGI is used for nefarious
purposes. In 1981's Looker, Albert Finney plays Dr. Roberts, a
plastic surgeon whose supermodel clients are being murdered one by
one. He's a suspect at first, but that plotline essentially goes
nowhere. Committed to protecting the last model still alive, Cindy (Susan Dey),
Roberts discovers that Digital Matrix, a tech company owned by John
Reston (James Coburn), is recreating computer-versions of
these models for commercials designed to hypnotize viewers into
submission, then killing the girls afterwards.
Directing
his own screenplay, Crichton doesn't adequately explain why murdering
the models is necessary for Reston's to achieve his agenda. In fact,
it almost feels like a plot hole (though a deleted scene - included
on this disc - offers a relatively simplistic explanation). Elsewhere,
Looker is both conceptually intriguing and supremely silly.
Though the film is obviously a product of its time, Crichton's prophetic ideas -
and warnings - are probably more relevant in today's era of CG
enhancement and photoshopping than they were back in 1981.
"Pew! Pew! Pew!" |
On
the other hand, some plot elements border on ridiculous, such as a
prototype gun that uses light to disrupt the victim's perception of
time. This leads to a few scenes that elicit chuckles, such as when
Robert gets the crap beat out of him by Reston's henchman (NFL star
Tim Rossovich, looking like he's having a good time), who uses the
weapon to appear invisible. The film isn't helped by bland
performances. Finney looks uncomfortable as an action hero, to say
nothing of the romantic subplot between his character and Dey's. Even
Coburn appears to be going through the motions.
Michael
Crichton always had a knack for exploring the dark side of
technology, though with the exception of the original Westworld,
he did it more effectively as a novelist than a director. But while
Looker is far from a forgotten classic, much of the technology
that Crichton predicted has-since become reality. It's always
interesting to revisit old films where the sci-fi tag may no longer
apply.
EXTRA
KIBBLES
INTRODUCTION
BY MICHAEL CRICHTON - More like a retrospective interview with the
director.
DELETED
SCENE
TRAILER
KITTY CONSENSUS:
IT'S NO WESTWORLD, BUT NOT BAD.
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