Starring
Bruce Willis, Vincent D'Onofrio, Elizabeth Shue, Dean Norris,
Kimberly Elise, Mike Epps, Camila Morrone, Beau Knapp. Directed by
Eli Roth. (2018/107 min).
AVAILABLE ON BLU-RAY FROM
MGM/20TH CENTURY FOX
AVAILABLE ON BLU-RAY FROM
MGM/20TH CENTURY FOX
Review
by Tiger Longtail😼
There's
a segment in the new Death Wish that may be the most
creatively ironic sequence director Eli Roth has ever assembled.
Dr.
Paul Kersey (Bruce Willis) is increasingly frustrated at the police's
lack of progress in catching the thugs who killed his wife and
critically injured his daughter during a home invasion. After
deciding to take the law into his own hands, there's a great
montage in which Roth uses split-screen to show Kersey resuming his
duties as an ER surgeon in a Chicago hospital, while teaching himself
to fire and maintain an automatic handgun at home. As he's removing a bullet from a gunshot wound, he's loading rounds into a magazine, saving lives while simultaneously learning how to take them.
Bruce Willis & co-star. |
The
original Death Wish was a both a cultural touchstone and a
defining moment in Charles Bronson's long career, but not such a
sacred cow that remaking it is out of the question (one could argue
Hollywood's essentially been doing that for years, anyway). Granted,
considering our current cultural climate, the timing couldn't be
worse, but it seems fitting that re-imagining original's incendiary
premise would be placed in the hands of someone with the audacity of
Eli Roth.
Considering
his torture porn reputation, Roth actually shows a surprising
amount of restraint. Death Wish is still brutal-as-hell, but never descends into
depravity. In fact, Roth actually pulls most of his punches during the
initial home invasion sequence, a key scene that remains extremely difficult to watch
in the original. Whether or not this is a positive point depends on your level of fondness for Roth's usual brand of butchery.
"Back at ya, bro!" |
Elsewhere,
this is not your daddy's Death Wish, which isn't necessarily a
bad thing. The original film may be iconic, but did tend to
glorify vigilantism (and author Brian Garfield absolutely hated what they
did with his novel). Kersey never hunted down the punks who took his
family away; he simply snapped and started walking the
streets to lure muggers before shooting them. But in the new film, Kersey actively seeks out
specific criminal targets...car-jackers, drug dealers and, through
circumstances that are both clever and inane, the very thugs who
killed his wife. Like the original, he becomes a media sensation,
which this version amusingly presents through talk-radio programs,
YouTube and internet memes...a sign of the times.
None
of this makes Death Wish better than the original. It's
bigger, louder, gorier and more skillfully crafted, but far less memorable.
Despite some clever modern touches - such as the aforementioned
montage - this version is mostly content to be a straightforward
action film with little substance beneath the surface. Though it's
the best film he's appeared since Looper, Bruce Willis doesn't
really reach beyond his comfort zone to bring anything new to the
Kersey character.
But
admittedly, I've always enjoyed watching Willis kick-ass. Death
Wish may not be another cultural milestone, but it is
a lot of vicious, violent fun. And if nothing else, the film is a
hell of a lot better than the gloomy sequels Bronson finished his
career with. Keep your expectations in-check, enjoy the
mayhem and apologize to yourself later.
EXTRA
KIBBLES
FEATURETTE
- "Vengeance and Vision: Directing Death Wish"
DELETED
SCENES
EXTENDED
SCENES - "ManCow in the Morning" & "Sway in the
Morning" (two of the fictional radio shows depicted in the
film).
AUDIO
COMMENTARY - By Roth and Producer Roger Birnbaum,
TRAILERS
- Includes an amusing "grindhouse" version.
DVD
& DIGITAL COPIES
KITTY CONSENSUS:
PURR-R-R...LIKE A GOOD SCRATCH BEHIND THE EARS
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