Starring
Scott Eastwood, Freddie Thorp, Ana de Armas, Gaia Weiss, Clemens
Schick, Joshua Fitoussi, Kaaris, Simon Abkarian. Directed by Antonio
Negret. (2017, 93 min).
PARAMOUNT
Overdrive
is underwhelming.
Some
of you might remember Clint Eastwood's The Rookie, where he
played a grizzled cop trying to bust an elite batch of high-end car
thieves. The movie was all kinds of stupid, but the mindless mayhem
coupled with Eastwood's stoic charisma made it at-least watchable.
Overdrive could use a lot more of both.
Starring in his own car-heist movie, Scott
Eastwood may be the spitting image of Dad, but the
similarities pretty much end there, making him a pretty bland leading
man. But he's not really the film's biggest problem and he's
admittedly stuck with a dull, generic character. Ironically, Eastwood
has shown more ability playing uptight dorks, like his supporting
turn in The Fate of the Furious.
Speaking
of which, Overdrive treads awfully familiar ground, which comes
as no surprise since the screenplay is by the same pair who wrote 2
Fast 2 Furious. In fact, the movie plays a lot like a scaled back
entry in that franchise. Eastwood and Freddie
Thorp are a couple of super-thieves who specialize in hoisting exotic
cars. When they run afoul of a powerful French mob
boss, they offer to steal a priceless Ferrari from his chief rival.
This is easier said than done, of course, so they must put together a
crew consisting of the usual eclectic batch of too-cool-to-be-scared
thrill-seekers.
"You wouldn't happen to have one of your old man's catch-phrases handy, would you?" |
While
originality is tough to come by these days, especially in
teen-centric action movies, Overdrive never really takes off
in the action department either. There's a couple of chases
bookending the film that are adequately shot, but without much panache
(director Antonio Nergret's background is mostly in television). In
between are dull stretches of exposition where more characters are
introduced and the caper is planned. And of course, we also have the
prerequisite love interests for the two brothers because, you know,
they're such studs.
Neither
great or completely terrible, Overdrive is ultimately the kind of assembly-line movie where one can accurately predict nearly every scene and plot turn long before it happens. In fact, you could
leave the room for extended periods and still know
exactly what's going on at any given moment.
EXTRA
KIBBLES
FEATURETTES:
"The Caper"; "The Crew"; "The Cars"
(Brief segments, mostly featuring the director)
DIGITAL
COPY
KITTY CONSENSUS:
MEH...
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