August 30, 2017

Soundtrack News: CHRISTINE Film Score LP Coming 9/29

Varèse Sarabande will release John Carpenter’s classic score for CHRISTINE on LP available September 29, 2017.  The CHRISTINE– Original Motion Picture Score has been fully remastered and is being released on blue vinyl.  The album features fantastic new art from award-winning movie poster artist Gary Pullin (“Ghoulish Gary”). In the past few years, there has been a tremendous upsurge in interest for John Carpenter's signature score compositions following the success of the Carpenter's Lost Themes and Lost Themes II albums, and subsequent tours.  The rare director-composer combo, Carpenter’s scores for his classic horror films are a favorite of electronic music aficionados.


Chris Alexander of ComingSoon.net rated Christine as #3 of the top 10 John Carpenter scores, saying, “Pulsing, moody, dread-filled, this is a car-centric and pop-tinted progression of the Halloween score and it’s probably this writer’s favorite of all the Carpenter soundtracks.” 


Fact Magazine says Christine, with “its soundtrack is another synth-heavy masterclass, and again finds Carpenter teaming up with Alan Howarth. ‘Obsessed With The Car’ is one of the score’s most low-key cues, and is noteworthy simply because of its beautiful, unhurried simplicity.” 


To complement the remastered audio, Award-winning artist and leading designer in the world of alternative movie posters, Gary Pullin was commissioned to create original artwork for the packaging. "I’ve always loved Stephen King's novel and the cover is a stunner - a stylized hood ornament with a screaming skull, Christine in chrome as it blazes across the hard cover,” he explained. “For the films’ score, I wanted to feature the Plymouth Fury logo front and centre, in a simplistic and new way. The shape of the V reminded me of devil horns - she's the car from hell! The blue glow represents the supernatural force living under the hood and inside her evil grinning grill. I often go for atmospheric designs when creating artwork for movie soundtracks and the art seemed like a perfect fit for the electronic score that Carpenter and Howarth created to drive the film’s suspense and bring the fury of Christine to life.”

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