Starring
Natasha Bassett, Peter Benson, Clayton Chitty, Nathan Keyes, Nicole
Oliver, Jillian Walchuck, Matthew Harrison. Directed by Anne-Marie
Hess. (2017, 88 min).
LIONSGATE
My
oldest daughter has always loved all things Britney Spears - even
during years when it wasn't fashionable - and even she
had to rage-quit this movie after about 30 minutes.
As
hard as it might be for some of us to wrap our heads around, this
prolific pop tart has been pumping out softcore silliness for nearly
twenty years. That's roughly 15 years after I assumed she'd end up
desperately clinging to fame on a season of Dancing with the Stars. At the
very least, Britney Spears deserves some kudos for longevity.
As
a decades-long source of tabloid fodder, who sells sex and songs with
equal abandon, Spears' career is certainly a worthy subject for a music bio,
no matter how superficial. But Britney Ever After barely even
tries. It's a biography only in the sense that its subject exists.
Abe Lincoln did, too, but we're pretty certain he never hunted vampires.
You
know you're in trouble when a movie about a musician doesn't include
any of their actual music. None of Spears' own songs are featured. And though she's been renowned for years as the reigning diva at
MTV's Video Music Awards, Britney's antics are depicted on the chuckleworthy "Music Awards". Lifetime - longtime purveyors of fan-baiting
claptrap - obviously had no legal permission to feature either.
"Uh...could you stop sniffing yourself?" |
But
that's just nitpicking. While admittedly not a fan of Britney or her
questionable musical abilities, I don't believe she's an idiot. Here,
she's initially portrayed as the type of dumb, backwoods hick you'd
expect to see popping out of the cornfield in an old Hee-Haw
episode. Then before you can say "Oops, I Did it Again,", she's a spoiled,
oversexed, man-hungry valley girl who settles a marital spat with
Justin Timberlake by challenging him to a dance-off.
Britney
Ever After cheaply & inaccurately re-enacts the more
tabloid-worthy parts of her career, then speculates the rest (Really?
A sex tape?). The narrative jumps from point A to B with little or no
transition, essentially rendering the whole thing a series of
unrelated film clips. The actors only superficially resemble their
real life counterparts and perform like high-schoolers imagining what
pop stardom is like.
I
can't imagine Britney Ever After appealing to her die hard
fans, who'd likely be insulted by this lazy & shallow attempt to
capitalize on their adulation. Since nobody else is going to
care, this cynically-produced ratings grabber is nothing more than a
cable TV version of click-bait.
EXTRA
KIBBLES
None
KITTY CONSENSUS:
BLEH...LIKE COUGHING UP A HAIRBALL
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