Starring
Tony Musante, Suzy Kendall, Erico Maria Salerno, Eva Renzi, Umberto
Raho, Reggie Nalder. Directed by Dario Argento. (1970, 101 min).
Sometimes
it's cool to take a look back at a legendary director's humble
beginnings.
Before
he was synonymous with such atmospheric Italian horror
classics as Suspiria and Inferno, Dario
Argento first applied his unique skills to The Bird with the Crystal
Plumage, his 1970 directorial
debut. Though not a horror film per se, it was hugely influential
on, not only the giallo subgenre, but much of his own subsequent
work.
Tony
Musante is Sam, a struggling American writer in Italy who witnesses
an attempted murder, suspected to be the work of a black-gloved
serial killer who's already claimed three victims. For reasons that
aren't really explained, Sam's intrigued enough to do some
investigating of his own, with some extra assistance from Inspector
Morosini (Enrico Maria Salerno). As the murders continue, Sam and his
girlfriend, Julia (Suzy Kendall), become targets as well.
Suppose They Gave an Office Party and Nobody Came. |
The
story itself is rudimentary and laughably illogical at times. The
characters and performances are uniformly bland, save for a bit of
delirious scenery-chewing by Eva Renzi. Aesthetically, this film
hasn't aged as well as those which would later gain Argento worldwide
acclaim. Still, few are as skilled at staging a murder scene as
Argento in his prime, and there are glimpses of the same visual mastery
that would become his trademarks. The
staircase/apartment murder sequence, in particular, is a disturbing,
tension-filled marriage of imagery and sound (the latter courtesy of
Ennio Morricone).
The Less-Than-a-Dollar Shave Club |
Though the film has been available on Blu-Ray before, this version features a stellar 4K restoration and a slew of all new bonus features that Argento fans are sure to like, including some retrospective analyses and a lengthy interview with the director himself.
The
Bird with the Crystal Plumage doesn't rank among Argento's
greatest films, but everybody had to start somewhere. That alone
makes this a relatively fascinating viewing experience, like looking
back at Spielberg's Duel or Carpenter's Dark Star.
While not nearly as graphic as his later work, it's easy to see some of the
stylistic elements we identify with his classics. And sadly, like
John Carpenter, it's still a damn sight better than anything Argento's
done lately.
EXTRA
KIBBLES
FEATURETTES:
"The
Power of Perception" - A 'visual essay,' spoken by Alexandra
Heller-Nicholas over highlights of the film. This is quite
informative & insightful;
""Black
Gloves and Screaming Mimis" - Film critic Kat Ellinger duscusses
the history of the film
INTERVIEWS:
"Crystal
Nightmare" - A new 30 minute interview with director Dario
Argento;
"An
Argento Icon" - Interview with actor Gildo Di Marco, who plays
Garullo the Pimp;
"Eva's
Talking" - A 2005 interview with the late Eva Renzi;
THREE
TRAILERS
AUDIO
COMMENTARY - by author Troy Howarth
60
PAGE ILLUSTRATED BOOKLET (Not available for preview)
REVERSIBLE
SLEEVE WITH NEW AND CLASSIC ARTWORK (Not available for preview)
DVD
COPY (Not available for preview)
KITTY CONSENSUS:
PURR-R-R...A GREAT OPPORTUNITY TO APPRECIATE WHERE IT ALL STARTED
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