The government has developed a new, state-of-the-art, super-spy helicopter. It can see through walls, fly silently, look down dresses and blow the bejeezus out of everything in its path. What better person to test fly it over one of the biggest cities in the world than a psychologically unstable Vietnam vet?
I had no problem with the implausibility of that scenario back in ‘83, and I still don’t. In fact, the only real problem I had with the Blue Thunder at the time was an early scene where chopper pilot Frank Murphy (Roy Scheider) breaks-in his new partner by flying out to Encino so they can spy on a young beauty who does nude yoga in her living room every night. The two hover outside her spacious epic-windowed mansion, gawking as she contorts in ways most guys can only dream of their wives doing.
The problem wasn’t that the scene was totally gratuitous, to say nothing of far-fetched (who isn't gonna hear a goddamn helicopter right outside their window?). But I went to go see this film with a girlfriend who had an unbelievably ugly jealous streak. She got so pissed off at me that she damn near walked out of the theater. What did she think…that I was gonna look up Anna Forrest (the yoga gal) after the credits rolled?
Other than that, I still think Blue Thunder remains one of the best ‘80s action flicks no one ever talks about these days. Murphy is an L.A. cop who patrols the skies at night, thwarting robberies and peeping into naked women’s windows. In his spare time, he checks his sanity with his wristwatch. He’s entrusted to fly a new copter, nicknamed Blue Thunder, to see what it can do, during which time he discovers the government has nefarious plans for the bird. It’s never made too clear exactly what the evil powers-that-be wants to accomplish with a helicopter, but that doesn’t stop them from trying to kill Murphy. Leading the charge for Frank’s demise is Colonel Cochrane, played by a perpetually bug-eyed Malcolm McDowell.
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| "When do I get my cool shades?" |
The film’s got a great cast. Scheider is terrific, and though he’s played so many cops in his career that he could’ve phoned this one in, he makes Murphy gruffly endearing. McDowell lays it on a little thick, but certainly attacks his role with zeal. Elsewhere, Candy Clark and Daniel Stern are amusing in key supporting roles, while the great Warren Oates (in his last role) makes the most out of his cliched angry police captain character. He also has some of the film’s funniest lines. As for the lovely Ms. Forrest…I still wonder why she never returned any of my calls.
At the time, I loved Blue Thunder and all its fiery mayhem (the coolest action movie I'd seen since Raiders of the Lost Ark), and never scrutinized the plot until long afterwards. Even revisiting it today for this review, I didn’t stop to cynically ponder its plausibility. There’s too much earnestness on both sides of the camera for that to happen.
And speaking of revisiting…this 4K UHD release comes courtesy of Arrow Video, who have that knack for reviving and restoring films you forgot you needed. In this case, the video transfer is generally excellent, as are both audio options…a restored 2.0 stereo track and a DTS-HD MA 5.1 remix. While I wish Arrow would’ve gone all-out with a Limited Edition boxed set like they’ve done with some other films (such as the recent, less-deserving Robin Hood: Prince of Thieves), this one does boast a great selection of new and archival bonus features.
EXTRA KIBBLES
NEW INTERVIEWS - Flight Risk features director John Badham; A Rollercoaster Ride features actor Candy Clark; Catching Up features actor Malcolm McDowell.
FEATURETTES - Ride with the Angels is a 45-minute, three-part documentary from 2006; The Special: Building Blue Thunder, also from 2006, focuses on the titular helicopter; promotional featurette from 1983.
AUDIO COMMENTARY - By director John Badham, editor Frank Morris, motion control supervisor Hoyt Yeatman.
EXTENDED SCENE - The car chase with Candy Clark…and I can see why they cut out a certain sequence.
TRAILER
IMAGE GALLERY
SUPPLEMENTAL BOOKLET - Includes a detailed essay by Dennis Capicik, photos, cast & crew credits.
REVERSIBLE COVER - Featuring original and new artwork, the latter of which is one of Arrow’s better recent ones.





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